The barrons - song of songs


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    (As an interesting side note, one of my friends told me back in college that he believed the best relationship a person could have was with someone who didn’t speak the same language—he was also an Alpha. He said, words confuse things enormously because the same word can have a completely different connotation to different people. He married a Japanese woman and they never learned each other’s language. They have an amazing marriage. Again, different strokes…)

    The late Louis Barron and his then-wife Bebe created a unique score for the 1956 MGM film Forbidden Planet. Made up entirely of electronic tonalities generated by cybernetic circuits feeding back (many in their "death throes"), the music for the movie was as unearthly as anything ever heard in a Hollywood soundtrack up to that time (and for many years after as well), and captured perfectly the film's futuristic extraterrestrial setting and action. Despite their "unnatural" textures, the oscillations, pulses, beeps, wails, and electronic shrieks that make up this soundtrack are, indeed, very musical: they have distinctive patterns that evolve, shift, and change as the circuits creating them go through their "life cycles"; they interweave with each other; and they also occasionally match the action in the scenes to which they are attached. The latter element may tempt one to accuse the Barrons of having "Mickey Moused" the soundtrack, to use a derisive term indicating music that slavishly mimicks action, but in this case they can be forgiven, allowing for the unearthly setting of the movie and the need to envelop the viewer. Additionally, the Barrons were not members of the proper union to allow them to officially "score" a major studio film, and were credited with "tonalities" rather than music, which gave them considerably more freedom. Officially, they were creating a special film environment, not a film score, and succeeded so well that their work stands favorably on its own as a soundtrack.

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